Seven blades is great for attractive bokeh, but nine is even better.Imagine being able to transform a noisy market visual into a soulful summer afternoon.
#Camera bokeh manual#
You can find out how many blades your lens has in the manual that came with it, or look it up in the specifications for your lens on the Canon website. This matters less if you're shooting with the lens wide open – that is, at the maximum aperture (lowest f-number) the lens supports, when the opening will be circular anyway – but that won't always be the case. In general, a lens with more aperture blades results in more attractively circular bokeh, as each point of light mirrors the shape of the aperture. Lenses capture blur in different ways, and some produce more pleasing bokeh than others. There's another factor to consider too, although it's not as critical. Of course, a wide maximum aperture means the lens lets in more light, which is useful in low-light conditions too, when you can get really creative with bokeh. While a kit lens with a maximum aperture of f/4-5.6 or more will allow you to blur the background, it won't achieve the same quality of bokeh. A prime lens with a wide maximum aperture like the Canon RF 50mm F1.8 STM lens used here lets you blur backgrounds with ease, dissolving details into beautiful points of light.
This is one of the main reasons to include a fast prime (fixed focal length) lens in your kitbag, even if the focal length is one covered by your kit zoom. To capture attractive bokeh, you need a 'fast' lens – that is, one with a wide maximum aperture, ideally f/2.8 or wider (lower f-number). There's more to it than just blurring the background – it's also about including attractive highlights, finding the right light or framing details that will look great when dissolved to blur. Here we'll look at some of the key techniques, camera skills and kit you need to make your photos even more striking by capturing appealing bokeh. The lens is the critical element, rather than the camera. Photographers used to believe you needed a DSLR to achieve a good background blur, but a mirrorless camera like the Canon EOS R6 used here is ideal, and entry-level mirrorless models such as the Canon M50 or EOS M6 Mark II will be just as effective. It's an optical effect that can genuinely arise only with the lenses and sensors you get with larger cameras, and nothing beats the look of the real thing.
The tiny lenses and sensors in smartphones make it impossible to achieve the shallow depth of field you need for natural bokeh. These days, dual-lens smartphones are capable of mimicking bokeh, but only through software.
#Camera bokeh pro#
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#Camera bokeh series#
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